Walk softly and carry a
big drum
Bobby Miles, Bobby's World August
26, 2004
Being a musician, I'm not much into strenuous
activity. So when my mother mentioned the Stonewalk peace
march I didn't give it much thought.
But then, she explained that the walk is a peaceful demonstration
that is marching from Boston to New York City. The idea is
to bring attention to the civilian victims of war, and the
people behind it are relatives and friends of those who were
killed in the terrorist attacks at the World Trade Center
on Sept. 11, 2001.
The walk took on a whole new meaning, and I decided to be
part of it.
My mother told me that two Buddhists were playing drums on
the walk to help everyone keep a steady pace, so I brought
my Djembe drum with me.
The Djembe is a heavy, solid, hand-carved drum. It weighs
about 30 pounds and it's about 30-inches tall. This particular
one has a heavy bass sound that carries a long way.
We got to the Orange firehouse at about 8 a.m. The people
in charge of the Stonewalk did a short presentation explaining
what it was about.
A woman named Adele said a few words. Her son was a New York
City fireman who was killed in the line of duty right there
in the towers.
She told the Orange firefighters, "When that alarm goes
off, you don't know what you're getting yourself into or if
you'll come back."
The walkers and firemen exchanged mementos and then they
rolled a caisson onto the Boston Post Road to start the walk.
The caisson carried a 1,400-pound granite headstone with
the words, "Unknown Civilians Killed in War" carved
into it. There was a flower arrangement like you see at a
funeral and two books, one for people to sign and one with
photographs and short biographies of the Sept. 11 victims.
As we walked, we got to know each other a little. There was
this one young guy from Japan, named Kenichi Kato, who walked
barefoot. We were side by side behind the caisson for the
entire walk. I held my Djembe drum out and he went to town
on it for a bit. He seemed to really enjoy it.
I tried to slam out a cool tribal groove, but the angle that
the drum was sitting made it hard to play with both hands.
Luckily Jun, an older Buddhist woman, started up a six-beat
rhythm. She played her "walking drum" and I filled
in the low end with my drum.
No one really talked during the walk except to encourage
one another to push harder on hills. Every once in a while
someone would talk on a cell phone, but it was a solemn event
so we were pretty quiet along the way.
Even though we didn't really talk much, I felt comfortable
with Jun and Kenichi. We sort of bonded.
We walked along the Boston Post Road, pushing the heavy caisson
up hills and feeling a sense of purpose. People came out of
stores to walk a short way with us, and some cheered. Passersby
in their cars beeped. It was really a good feeling.
We all seemed to be on such common ground that when I heard
one guy yell something about "job," I assumed it
was "good job" or something along those lines.
Then he repeated it. This time, loud and clear, I heard,
"Get a JOB! Go to work!" It was a bit unnerving.
All of us were there with a sense of purpose, and suddenly
this guy is loudly objecting to our actions.
We brushed off his negativity and kept walking.
The group stopped and took a break in front of Gloria's near
the center of Milford.
Jun put her hands together and said a prayer over the caisson
before having lunch.
We all sat and talked, and Kenichi took out some rice rolls
and miso that he had made and shared them with everyone. It
was pretty good.
After that stop, it was time for the Stonewalk to continue
on toward New York City, but my leg of the walk was over.
Before everyone started walking again, they put their hands
on the stone and had a moment of silence.
I took some photos with Jun and Kenichi, said goodbye to
everyone and went home.
All in all, it was a pretty cool thing. I felt like I was
part of something important. I met some nice people, took
time to think about something besides music, and I'm glad
to have done it.
This column reflects the opinion of Bobby Miles, son of Hometown
editor Terri Miles, and does not necessarily reflect the views
of Hometown Publications.
©Milford Mirror 2004
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